Boston Globe, May 23, 2008
Jazz bassist and vocalist Esperanza Spalding is on the express
track. At 23, she's not only a Berklee College of Music alumna, but
already on the school's faculty, and she's gigging amid the jazz elite,
from backing Joe Lovano or Pat Metheny to hitting the top festivals
like Newport. Her new self-titled record marks another career jump, as
she has left the European indie label of her 2006 disc, "Junjo," for
Heads Up, with its well-regarded roster of established jazz, blues, and
world artists. The new record came out this week, and Spalding plays a
CD-release show at the Regattabar Thursday.
Continue reading "Making a statement" »
Boston Globe, May 18, 2008
A ritual of summer takes on a jazz flavoring this year, as perhaps
the season's most anticipated reunion tour is the one featuring the
classic lineup of Return to Forever, one of the most iconic jazz units
of the '70s.
Continue reading "Bringing about a reunion of fusion pioneers" »
Boston Globe, May 16, 2008
NEW YORK - When he was about 12 years old, Pete Robbins knew he
wanted to learn a wind instrument so he could play in his school band.
And he worried that his original choice, the clarinet, simply wasn't
cool.
Continue reading "Sax man likes to go with the flow" »
Boston Globe,
May 6, 2008Call her Persian. Call her a New Yorker. Call her a rocker. Call her
a poet. Even call her a mystic, if you must. But please, don't call
Haale exotic.
Continue reading "Haale's sound stretches from New York to Iran" »
Boston Globe, May 2, 2008
NEW YORK - It's your basic immigrant success story, really: A young
man grows up in a faraway country, feels the call of a challenging
vocation, sets his eyes upon a dream. He works with relentless purpose
and finds his way to America where, under the tutelage of masters in
his field, he becomes, at just 35, a master in his own right.
Continue reading "A life in between worlds" »
Boston Globe, April 4, 2008
Last October, Andy Palacio, a brilliant musician and activist from
Belize, capped a landmark year by standing on a stage in Seville,
Spain, to accept world music's highest tribute: the WOMEX Award.
Continue reading "Remembering a world-music giant" »
Boston Globe, March 28, 2008
Mystical visitations are much on the mind these days of Victor
Wooten. In addition to a new album, "Palmystery," out next week, the
Nashville-based contemporary bass guitar hero is also releasing a book,
a work of fiction titled "The Music Lesson," in which a young player
learns wisdom well beyond musical technique alone from a chance
encounter with a spiritually advanced stranger.
Continue reading "Victor Wooten trades his funky soul for a spiritual one" »
Boston Globe, March 21, 2008
Last year was a time of transition for the Drive-By Truckers, the
Athens, Ga., band with the dual gift for high-octane rocking and
magisterial front-porch storytelling. Personnel flux and a sense of
fatigue led the group to pare down its sound, perform acoustic gigs,
and take time out to serve as backing band on a soul-music project.
Continue reading "Surviving a rough patch" »
Boston Globe, March 14, 2008
One of the most interesting recent albums to beam back from the
frontier where jazz, rock, electronica, and free improvisation
intersect was David Torn's "Prezens." It's a digitally enhanced quartet
led by a guitarist-producer whose career has taken on the most abstract
projects as well as some of the most commercial, as a composer of
Hollywood soundtracks or a session musician on major pop and R&B
releases.
Continue reading "Prezens is all over the map -- and that's the point" »
Boston Globe, February 29, 2008
In four decades exploring seemingly every nook and cranny of
straight-ahead jazz, Latin jazz, and fusion, the pianist Chick Corea
has exemplified versatility and spirit of adventure to as great an
extent as any musician today. But even omnivorous curiosity has limits.
So when asked how much interest he had ever taken, until recently, in
working with a banjo as accompanying instrument, Corea's reply is frank
and succinct: "Zero."
Continue reading "A banjo, a piano, and two willing masters" »